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Development edit Anarkali, the 1928 silent film based on the tale of Anarkali and Salim The Urdu dramatist Imtiaz Ali Taj wrote a play about the love story of Salim and Anarkali in 1922, 6 based more on a 16th-century legend than. 22 According to the online box office website Box Office India in 2011, the film's adjusted net revenue would have amounted to 1327 million, ranking it as an "All-Time Blockbuster". Asif subsequently released Mughal-e-Azam partially coloured, although he still hoped to see the full film in colour. Despite her treatment, Anarkali refuses to reject Salim, as Akbar demands. 99 Naman Ramachandran, reviewing the film for the British Film Institute, noted the depiction of religious tolerance and said the film had a tender heart. "Top 12: Bollywood Diwali Releases". Mughal-e-Azam was the first black-and-white Hindi film to be digitally coloured, and the first in any language to be given a theatrical re-release.
22 The song "Mohe Panghat Pe" was objected to by veteran director Vijay Bhatt. Archived from the original on Retrieved "Mughal-e-Azam beats Taj Mahal to be 1st Indian film in Pak in 41 yrs". 49 By the end of filming, more than a million feet of negative had been used, necessitating significant editing. 50 Almost half of the songs recorded for the film were left out of the final version. Retrieved b "Music mogul". So it will always remain alive for generations to come." 124 To commemorate the film's anniversary, Asif's friend the actor and producer Shah Rukh Khan had his company Red Chillies Entertainment produce a documentary video titled Mughal-E-Azam A Tribute by a son to his father. They recruited four Urdu writers to develop the screenplay and dialogue: Aman ( Zeenat Aman 's father, also known as Amanullah Khan Wajahat Mirza, Kamaal Amrohi, and Ehsan Rizvi. Archived from the original on Retrieved b c d Doval, Nikita (23 November 2004). 13 Upon release, the film drew crowds to the cinemas, 21 with an overall occupancy of 90 per cent. Khan"d a fee of 25,000 per song, at a time when Mohammed Rafi and Lata Mangeshkar (the best paid playback singers of the time) charged 300400 per song, thinking that Asif would send him away. Archived from the original on Retrieved b c "The colour of profit". Bollywood Cinema: Temples of Desire.
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